Venture Bros: Ghosts of the Sargasso

Hands down, my favorite episode.

Why?  Starting with the head-spinning Bowie intro (what is it with these guys and Bowie?  Except that Bowie always had the air of a Bondian super-villain about him) (seriously, why hasn’t Bowie been made a Bond villain yet?  Chris Walken has, Jonathan Pryce has, why not Bowie?), then moving from 1969’s “Space Oddity” across the pond to 1969’s “Scooby Doo” and the ghost pirates.  Having young children, I’ve seen the ghost pirate episode of “Scooby Doo” several times now, so this parody has especially sharp teeth for me.

Then there’s things like the treatment of the colors in the “1969” footage, and the quite-subtle dirt and scratches on the film, not over-played, not drawing attention to itself, beautifully done.

But mostly, it’s the script, or rather, the plotting.  I think this is the most tightly-plotted of all the episodes.  All of the episodes use the collision of “exciting adventure” and “prosaic real-life” to produce laughs, but usually they do it in terms of “adventure that doesn’t happen.”  The assassination attempt fails, so the henchmen have to wait around in the yard.  The torture victim has a medical condition, so the torture has to be put on hold.  It’s about dashing expectations.

But here, there’s an actual adventure.  Rusty is actually going to try to do something (retrieve his father’s spaceship), and his actions have consequences (unleashing the ghost of Major Tom).  Meanwhile up above, the ship is taken over by “ghost pirates,” who turn out to be real pirates. 

Now there’s a twist!  Ghost pirates that turn out to be not part of a real-estate scam, but REAL PIRATES!  Even if they’re lame pirates, they are actually still real pirates, and they even manage to get the better of Brock.

And then there’s Brock.  Brock, who specializes in getting out of impossible situations, gets out of a doozy here.  I’d like to think that the actual fight with him and the pirate henchmen, where he clubs one to death with the body of the other, while the other’s arm is still up his ass, was filmed but cut, and exists somewhere in a vault.  But that’s probably only a dream.

Two actual exciting events going on, Rusty stuck at the bottom of the sea, slowly dying, and Brock turning the tables on the pirates above, PLUS Hank actually turning into a capable action hero (with coaching, of course), all played out in an exciting, albeit highly comic cutting style.

Then the REAL GHOST shows up, and by this time we’re so off-balance, we’re ready for anything.  So when it turns out that the ghost isn’t interested in killing anyone, hurting anyone, or really doing anything but re-living its dying scream over and over again, PLUS there’s the great bring-back of “The Action Man” from the pre-credit sequence, it’s just too laugh-out-loud, alone-in-your-living-room funny.

The ending, where Brock simply tears the ghost limb from limb and tosses it overboard, reminds me of the old Jack Handey “Deep Thought:”

“If trees could scream, would we be so cavalier about cutting them down?  We might, if they screamed all the time, for no good reason.”

This is, of course, the casual cruelty that I’ve mentioned before that gives the show its misanthropic bent.  We start the show with a real (if comic) tragedy, we produce the screaming ghost of that tragic figure, and there’s that moment of actual pain and anxiety where we feel that ghost’s pain.  The tragedy of the past is literally brought to the surface and shoved in our faces.  And how shall we deal with it?  Dr. Orpheus’s plan doesn’t work.  And the ghost doesn’t want to hurt anyone.  But it won’t stop SCREAMING.  So let’s let Brock tear its head off and throw it overboard.  Good riddance.

Pirate Captain: “Well, we could have done that.”

Question: They call Dr. Orpheus for help, but then in the episode where they first meet Dr. Orpheus, Hank (or Dean, I can’t remembe their names) says to Punkin that they’ve recently battled ghost pirates.  Did they battle ghost pirates twice, and why were we denied that episode?

Venture Bros: Tag Sale — You’re It!

Why is Dr. Girlfriend with The Monarch? She’s smart and attractive, snappy dresser. Why does she hang out with (and fornicate) with that whining, petulant, impotent fraud?

Some of my favorite Brock moments are when he just doesn’t want to deal with the drama of a situation. When the secret service head asks him if he wants to see the chatting Misters in pretty pink dresses, he stares straight ahead and, voice thick with disinterest, says “No, I don’t want to see ’em in dresses.” The difference between Brock and a lot of other characters Patrick Warburton plays is that Brock seems to always have too much on his mind; his halting speech isn’t dim-wittedness but a reluctance to waste his breath on the unimportant, which is a great concept for an animated character.

Venture Bros: The Incredible Mr. Brisby

In a cartoon, or a movie, or a TV show, anything in popular culture really, when the creators want to point out that a character is lame, they name him Todd.

This is why I hate the name Todd.