8 1/2 off!

As part of my “movies about crazy directors making movies” research, I just watched Fellini’s landmark classic 8 1/2.  I have nothing pertinent to add to the avalanche of praise that this dense, multi-layered, hallucinatory, infinitely graceful masterpiece has garnered, except to note that it seems to have inspired a number of imitators over the years.

Because I was born into a provincial, parochial Chicago suburb with limited access to classics of European cinema of the 1960s, I probably saw both All That Jazz and Stardust Memories a dozen times each before I ever saw 8 1/2 but both of them strike me as not just “inspired by” the original, but practically direct remakes, at least as much as A Fistful of Dollars is a remake of Yojimbo and A Bug’s Life is a remake of Seven Samurai. (And The Lion King is a remake of Kimba.  Or Hamlet, I forget which.)

Both Fosse and Allen lift Fellini’s structure, have their protagonists drift back and forth in time and from fantasy to reality, from the art their working on to the mental processes that create that art.  Allen also lifts the black-and-white photography, the “extras as gargoyles” tone, and quotes pretty directly from the dream sequences as well.  Fosse does all those things too, but filters it more through his own sensibility.

It’s a tribute to the quality of Fellini’s work that both of his imitators were inspired enough to turn in movies that are, let’s face it, both pretty freakin’ amazing in their own rights.

Who else is there?  Are there other movies drifting around out there that we could say are remakes of 8 1/2?  Tom DiCillo’s Living in Oblivion comes close, similarly weaving fantasy and reality, dreams and reality, “filmed reality” and reality (it also has more of a nuts-and-bolts attitude to production life — more problems with shooting, less conceptual agony).  It has a much more programmatic structure and is more anecdotal in its approach, but serves as a kind of pocket-sized 8 1/2 — call it 4 1/4.

UPDATE: And now that I think of it, Adaptation, in its own way, is a valid entry in the 8 1/2 genre.
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