Well, it depends on your definition of “heist movie”
The Great Muppet Caper (vastly underrated)
The Taking of Pelham One Two Three (arguably Walter Matthau’s best role)
Ronin
Reservoir Dogs (if it actually counts)
Bob Le Flambeur
The Lavander Hill Mob
Rififi
Well, I suppose I’m not as familiar as I should be in regards to the ‘heist’ genre. I think the last one I would have seen would have been The Score.
PS- How about this for a contest: do you recognize, oh film-master, where the screencap comes from in my icon?
Wow. yeah, these are all damned heavy ones, now that I look at them . . . yeesh, been into this noir bag so long, I don’t always see how dark it is. Oh, I’d add into the dark group a lesser but interesting one, The Hoodlum, with Lawrence Tierney (young and years before Reservoir Dogs)
Most of the lighter “caper” films I like have already been mentioned in the thread (Rififi, The Lavender Hill Mob, The Great Muppet Caper, Sneakers). I also like both versions of The Ladykillers for different reasons, and the remake of The Thomas Crown Affair (I have a strange, unreasonable dislike of Steve McQueen, so the original is unwatchable for me). Oh, Godard’s Band of Outsiders counts, I guess.
LOVE the remake of Thomas Crown Affair. One of my favorite scripts ever. I like the original too, and while I’m a huge McQueen fan, I don’t believe him as an investment banker or whatever he’s supposed to be.
Has Sneakers, which I recall being either vaguely dismissed or completely ignored on release, wound up with an odd litle cult following?
I can’t think of anything close to a science fiction heist/caper movie except Star Trek IV: The Voyage Home wherein the intrepid crew (in a previously stolen Klingon ship) travels to the 20th Century to lift a couple of whales from an aquarium.
Yeah, weird, how did Sneakers become hip all of a sudden? I mean, I like it and all, but sheesh.
Anybody but me find it improbable that Robert Redford and Ben Kingsley went to college together? I guess Ben plays older, but they’re from two different movie generations.
Yeah, I wouldn’t either. To me, a heist movie is all about the planning, execution, and/or trying to get away with it afterwards. The heist in Serenity was mostly exposition. (Although exciting exposition!)
In some ways, the Mission: Impossible TV series was a heist series, even if they weren’t stealing something. And that was lacking from the movies, which was why I didn’t enjoy them as much.
I have a deep and slightly shameful love for the remake of The Italian Job (2003); it’s solid and workmanlike and has a kickass ensemble. And, oh! The Taking of Pelham 123 *is* Matthau’s best role; he keeps referring to the subway system as a “railroad”.
But the only movie I could remember really liking (and watching repeatedly) that involved a theft was Office Space. Not really a “heist” movie.
But I mention it now because you brought up how seldom the criminals get away with the crime, and that was the one thing I really didn’t like about “Office Space”. I wanted them to get away with it.
The whole movie was about horrible and soul crushing work is and they all end up back at work. OK so the protagonist is a new profession “honest labor” that is supposed to be more spiritually satisfying. But it is just back breaking work. And his two friends are just doing the same thing they were doing before. The guy who does end up with the money is incapable of enjoying it. No one is really happy in the end.
I prefer to just imagine that the three crooks took the money and the girl and went to that tropical paradise. That would have been a perfect movie.
OK so the protagonist is a new profession “honest labor” that is supposed to be more spiritually satisfying. But it is just back breaking work.
At the end of Big Deal on Madonna Street, two of the thieves dash into a crowd of men to dodge the police, then recoil in horror when they realize that they’re in a line for workers outside a construction site. One of the men gasps and runs in horror, but the other shrugs and goes inside the site, prepared to lead an honest life of backbreaking labor. It’s one of the saddest endings to a heist film ever.
Todd Alcott is a screenwriter living in Los Angeles with his wife and his kids and his cats and his dogs. He has worked on many feature films and has sometimes been credited for thus. You may have seen one.
Hmm
Well, it depends on your definition of “heist movie”
The Great Muppet Caper (vastly underrated)
The Taking of Pelham One Two Three (arguably Walter Matthau’s best role)
Ronin
Reservoir Dogs (if it actually counts)
Bob Le Flambeur
The Lavander Hill Mob
Rififi
Re: Hmm
Better than Grumpier Old Men?
Re: Hmm
Yes
He’s grumpier in Pelham.
(Forgot Sneakers on my original list)
Re: Hmm
The original Ladykillers.
Heat
Sneakers
Do any others matter?
Heat Sneakers. There’s your title, Todd.
“heist” movies…
Tough.
Just to give you insight into my preferences, I actually enjoyed the original “Ocean’s 11”.
Does “Charade” count? It is about stealing, afterall…
I would say that Charade is more of a suspense thriller. A Hitchcockian suspense thriller even, in spite of being directed by Stanley Donen.
Well, I suppose I’m not as familiar as I should be in regards to the ‘heist’ genre. I think the last one I would have seen would have been The Score.
PS- How about this for a contest: do you recognize, oh film-master, where the screencap comes from in my icon?
Is it —
Sleepaway Camp?
Lolita. Duh.
Good man, James! Good man!
Sorry, Todd, old boy, but merely by referencing “Sleepaway Camp”, you have unfortunately lost 4 points.
I think I saw both of them on a double bill once.
Lies! What theatre in their right mind would do that?
Or was it you, you sick man, who rented and watched them both in one night?
🙂
Hal Hartley’s “Henry Fool,” wherein I steal the audience’s heart.
My cardiologist is requesting that you return it, clean and in good working order.
Damn, now I’m afraid to watch it again.
Not mine, I left it in San Francisco.
The Princess Bride!
Noir-Heavy List
Trying to think of ones not already mentioned, and breaking them down a few ways:
PRETTY MUCH HEIST-CENTERED
The Killers (1946)
The Asphalt Jungle
Thief
The Killing
Crime Wave
Odds Against Tomorrow
Criss Cross
The Anderson Tapes
HEIST FEATURED, MOSTLY ABOUT SETUP OR AFTERMATH
Kansas City Confidential
Gun Crazy
The Killers (1964)
The Underneath
HEIST BARELY IN IT, BUT GREAT FILM ABOUT AFTERMATH
Point Blank
HEIST HAPPENS BEFORE FILM, FILM ABOUT AFTERMATH
Kiss Me Deadly
Hickey and Boggs
Key Largo
Re: Noir-Heavy List
Wow, I haven’t even heard of some of these, thanks.
Do you have a similar list of caper films? “Caper” I guess being a little more light-hearted than “Heist” for some reason?
Re: Noir-Heavy List
Wow. yeah, these are all damned heavy ones, now that I look at them . . . yeesh, been into this noir bag so long, I don’t always see how dark it is. Oh, I’d add into the dark group a lesser but interesting one, The Hoodlum, with Lawrence Tierney (young and years before Reservoir Dogs)
Most of the lighter “caper” films I like have already been mentioned in the thread (Rififi, The Lavender Hill Mob, The Great Muppet Caper, Sneakers). I also like both versions of The Ladykillers for different reasons, and the remake of The Thomas Crown Affair (I have a strange, unreasonable dislike of Steve McQueen, so the original is unwatchable for me). Oh, Godard’s Band of Outsiders counts, I guess.
Re: Noir-Heavy List
LOVE the remake of Thomas Crown Affair. One of my favorite scripts ever. I like the original too, and while I’m a huge McQueen fan, I don’t believe him as an investment banker or whatever he’s supposed to be.
No one’s mentioned The Italian Job? (And why haven’t I seen the original?
I also liked Sneakers.
I wonder if anyone’s made a science fiction heist movie. I don’t think Silent Running counts.
Has Sneakers, which I recall being either vaguely dismissed or completely ignored on release, wound up with an odd litle cult following?
I can’t think of anything close to a science fiction heist/caper movie except Star Trek IV: The Voyage Home wherein the intrepid crew (in a previously stolen Klingon ship) travels to the 20th Century to lift a couple of whales from an aquarium.
I thinkit was underappreciated, I don’t know about a cult following. (Don’t mind these robes or the ceremonial mask.)
Hmm. Does Free Willy count as a contemporary heist film?
Yeah, weird, how did Sneakers become hip all of a sudden? I mean, I like it and all, but sheesh.
Anybody but me find it improbable that Robert Redford and Ben Kingsley went to college together? I guess Ben plays older, but they’re from two different movie generations.
I think “Sneakers” just has the perfect heist set-up that quickly brings it to mind.
The scheme to grab the McGuffin was extremely clever
Excuse me, I have to make a phone call.
Excellent, he’s taken the bait.
Outland almost counts. Science fiction crime/corruption movie…
Isn’t Outland a remake of High Noon?
But really it’s more of a Science Fiction Western.
Serenity has a heist, though I probably wouldn’t call it a heist movie.
Yeah, I wouldn’t either. To me, a heist movie is all about the planning, execution, and/or trying to get away with it afterwards. The heist in Serenity was mostly exposition. (Although exciting exposition!)
In some ways, the Mission: Impossible TV series was a heist series, even if they weren’t stealing something. And that was lacking from the movies, which was why I didn’t enjoy them as much.
I have a deep and slightly shameful love for the remake of The Italian Job (2003); it’s solid and workmanlike and has a kickass ensemble. And, oh! The Taking of Pelham 123 *is* Matthau’s best role; he keeps referring to the subway system as a “railroad”.
I’m surprised no one mentioned The Sting yet. Although, I suppose looking above, it would be considered light-hearted.
The Sting was the first one I watched. So long ago, it was before I even had a blog…
Shock! Those words…so strange…don’t think the English language…let’s them go together…
Heist movies
I don’t tend to have favorites.
But the only movie I could remember really liking (and watching repeatedly) that involved a theft was Office Space. Not really a “heist” movie.
But I mention it now because you brought up how seldom the criminals get away with the crime, and that was the one thing I really didn’t like about “Office Space”. I wanted them to get away with it.
The whole movie was about horrible and soul crushing work is and they all end up back at work. OK so the protagonist is a new profession “honest labor” that is supposed to be more spiritually satisfying. But it is just back breaking work. And his two friends are just doing the same thing they were doing before. The guy who does end up with the money is incapable of enjoying it. No one is really happy in the end.
I prefer to just imagine that the three crooks took the money and the girl and went to that tropical paradise. That would have been a perfect movie.
Re: Heist movies
At the end of Big Deal on Madonna Street, two of the thieves dash into a crowd of men to dodge the police, then recoil in horror when they realize that they’re in a line for workers outside a construction site. One of the men gasps and runs in horror, but the other shrugs and goes inside the site, prepared to lead an honest life of backbreaking labor. It’s one of the saddest endings to a heist film ever.
Out of Sight.
Second place: Le Cercle Rouge.