Dreams
For a new project, I’m interested in my readers’ most common dreams.
For instance, for a long time, years, I had only one dream. It was a variation on the actor’s nightmare: I was always booked for some kind of performance in some faraway city, and I was always showing up the day of the show and finding out that my housing was bizarrely inadequate (one dream had me staying in a rotting trailer in the middle of a woods), my transportation confusing and dangerous (subway trains without platforms, jet planes that must take off or leave in the middle of city centers), and the venue always in a state of turmoil. And, of course, I was always showing up without a clear idea of what the show was and what my part was in it.
The other dream I’ve had for at least the past twenty years is that I’m showing up at a college campus on finals day and realizing that I’m due to take an exam and haven’t been to any of the classes that semester. In fact, I haven’t even been on the campus before.
I used to have the dream where I showed up at work naked. The strange thing about that one was that no one else ever noticed that I was there, much less that I was naked.
And, in times of great stress, I’d have flight dreams every night. I would have them so often that they became routine, I would know when one was starting and know exactly what to do. I had them so often that my flight-dream life became an easy, comfortable place, and flying became no big deal — I could just as easily fly down the hallway to get to class as soar over my neighborhood in the moonlight.
I’ve had some version of every kind of dream reported in the Wikipedia "Common Themes" paragraph, with the exception of the one with the dreamer’s teeth rotting and falling out. That one strikes me as bizarre.
Jury duty postscript
The above is the seal of the county of Los Angeles. I saw it yesterday handsomely mounted at the elevator bank outside the jury pool room. My understanding of county seals is probably not all it could be, but to my reckoning, the official mascot of the county of Los Angeles is a Greek lady standing under the sun, by a riverbank, in front of some crazy-ass mountains, holding an armload of produce. But a Greek lady standing under the sun by a riverbank in front of some crazy-ass mountains with an armload of produce is not all Los Angeles County is famous for! No, many other things come from Los Angeles County. Clockwise from left, we can see that Los Angeles County is famous for its oil wells, the Hollywood Bowl (where, it appears, a Christian service is held under the stars), cows, fish, Spanish Armadas, and drafting supplies.
As it happens, the above is the old county seal. Below is the new one.
As you can see, Los Angeles County still considers itself, first and foremost, a place where a woman in loose-fitting clothes stands under the sun, by a riverbanks, in front of some crazy-ass mountains, with an armload of — something. The woman has gone from Greek to Mexican, I think, which is probably a step in the right direction. But she’s not holding sheaves of whatever-it-is anymore. To tell you the truth, I’m not sure what the new woman is holding, but there doesn’t seem very much of it. Perhaps that’s just another sign of budget cuts. What is that stuff in her bowl anyway? Olives? Rocks? Tar, from the world-famous La Brea Tarpits?
And we can see that the bounty of Los Angeles County has changed as well. No more oil wells in Los Angeles County, Charlie! They’re gone! And no more Christian services at the Hollywood Bowl either! You know what we have here instead? Spanish Missions, that’s what! They’re all over the place, now that the oil wells are gone! Cows and fish are still in plenty of abundance, thankfully, and our Spanish Armadas are still as common as ever. And no one, it appears, will ever take away Los Angeles County’s primacy in drafting supplies.
Liveblogging jury duty!
My time is up. I must serve my jury duty this week. I write to you from the jury pool room in the county courthouse in Inglewood.
The way jury duty works in Los Angeles county is this: you are bound to clear your schedule for five business days. If you don’t get put on a trial on the first day, you can go home and not have to come back for a year or more. However, if you get chosen to serve, you have to expect the trial to last three to five days.
A few words on District 9
District 9 is, by a wide margin, the best movie I have seen this year.
Do yourself a favor: don’t read anything about it, don’t listen to what anyone says about it, just stop doing whatever you’re doing right now and go to see it. I’m serious. It’s absolutely flabbergasting.
How good is it? This is how good it is: while I was watching the movie, every ten minutes or so I had to remember to force myself to blink — I didn’t want to miss a second.
Anyone who would like to discuss the movie below the fold is invited to do so, so if you haven’t seen it, be warned: comments may contain spoilers.
roller-coasters
The whole family went recently to Legoland. Everyone had a wonderful time. Kit (6) discovered the thrill and terror of roller-coasters, a thrill and terror Sam (8) is not quite ready for, in spite of being 18 months older than Kit. Kit rode with me on The Dragon six times, and Coaster-Saurus once with her mother.
Last night, I read Roller Coaster by Marla Frazee to the kids, which they both enjoyed quite a bit, and the following conversation ensued.
Gone With the Wind
It’s been 20 years since I’ve seen Gone With the Wind, the jewel in the crown of the Hollywood studio system, released in its pinnacle year of 1939. When I last saw it, in 1989, it was under the most ideal circumstances imaginable — a restored print, at Radio City Music Hall, on a screen 80 feet high. (And, it so happens, sitting next to director James Ivory. A coincidence let me hasten to add; he was not my date.) The impact of David O. Selznick’s lush, meticulous production was immediate and overwhelming, but the callow young writer inside me dismissed the plot as simple romance and soap opera. I’m happy to announce that I greatly shortchanged the value of this American epic. I used to say that Gone With the Wind was okay for, you know, girls, but The Godfather was clearly the superior movie because it contains a powerful socio-political subtext. Well, more fool me.
The Cotton Club
The Cotton Club is the third in our trilogy of Showbiz movies. Like Cabaret and All That Jazz, it concerns the lives of showbiz types and the power the performing arts have to transform. Like Cabaret and All That Jazz, it is directed by a filmmaker who came to sudden prominence in 1972 — in this case, Francis Ford Coppola. Like Cabaret, it throws the lives of its performers against the backdrop of violent social change and grand historical paroxysms. Unlike Cabaret and All That Jazz, it lacks a strong, motivated protagonist, and that makes all the difference in the world.
All That Jazz
At the end of Cabaret, Sally Bowles sings her cheery, upbeat tune about how "life is a Cabaret" and how high living and good times, music and dancing, sex and drugs and booze, are the only way to get through life. The lingering question at the end of Cabaret is: Is that really a way to get through life, or just a way to end it faster? Director-choreographer Bob Fosse is obviously of two minds on this question, which seems to dominate his brief-but-spectacular film-directing career. Cabaret, Lenny, All That Jazz and Star 80 all perceive Show Business as a kind of pathology, an unhealthy compulsion, a road to ruin. (In Cabaret, it is also hinted that the amoral, self-indulgent performers of Berlin are somehow responsible for the rise of Nazism, which seems like a stretch to me, but indicates how seriously Fosse takes his subject.)
Cabaret
A new project has crossed my desk that compels me to watch a specific collection of movies: Cabaret, All That Jazz, The Cotton Club and Gone With the Wind. (And Schindler’s List, but I’ve watched that one recently.)
I remember Cabaret from my adolescence as being a daring, provocative, decadent, weird movie about the rise of Nazism in Weimar Berlin, as told through the eyes of a couple of young folks with complicated romantic lives. And it is still that, but what surprised me on this viewing is that it is, under all its decadence, a fairly conventional love story.
Feeder Birds returns!
Yes, it’s true! The new installment of my long-gestating graphic novel Feeder Birds will be presented as part of
‘s long-running cartoon-slide-show evening CAROUSEL. If you, like me, are in New York City next week, this will be where you will want to be. In addition to me, there will be actual talented cartoonists present.
WHEN? Thursday, May 28, 2009!
WHERE? The new Dixon Place, that’s where! 161 Chrystie Street, btw Rivington and Delancey!
HOW MUCH? $15 smackeroos, that’s how much.
See you there!