It doesn’t matter how many times I see this poster, every single time I see it I think “What the hell is Elvis Costello doing in a movie with Tom Hanks and Julia Roberts? And why is he wearing that mustache?!”
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Todd Alcott is a screenwriter living in Los Angeles with his wife and his kids and his cats and his dogs. He has worked on many feature films and has sometimes been credited for thus. You may have seen one.
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December 2024 S M T W T F S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 -
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- 11/6/24 November 6, 2024
- Unexpectedly edifying double feature of the week: The Apprentice and Heaven’s Gate October 17, 2024
- Joker: Folie a Deux October 7, 2024
- Trap August 5, 2024
- Some thoughts on Furiosa May 31, 2024
- Some thoughts on Civil War April 16, 2024
- The Etruscan Horse February 18, 2024
- Some thoughts on the screenplay for Oppenheimer January 23, 2024
- The Beekeeper January 15, 2024
- Dr. Jekyll & Mr. Hyde October 5, 2023
- Some thoughts on Guardians of the Galaxy Vol 3 May 7, 2023
- What does the screenwriter want? May 3, 2023
- The first time the WGA changed my life May 3, 2023
- Black Summer March 20, 2023
- Some thoughts on Elvis (2022) August 7, 2022
- Halloween 2021 November 2, 2021
- Some thoughts on The Boys October 3, 2020
- The Big Lebowski and our present moment May 19, 2020
- Some thoughts on The Lion King July 25, 2019
- Piece in The Guardian May 4, 2019
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Oh, that’s hysterical!
Hey, I’d pay money to see that. He was great in Straight To Hell and Americathon.
You know, I think I’ve just identified my own problem. You are a master of cinematic knowledge from Antonioni to the Bond and Bourne series to the Coen brothers and beyond. I am a master of cinematic knowledge from Straight To Hell to Americathon.
I dashed out to see Americathon on opening day, and was a manager of the theater in NYC playing Straight to Hell. In both cases, I thought the movie was going to be a big, big hit, but crickets heralded the release of both.
The Coen Bros, I’d say, are very close to Elvis Costello in temperament (a fact they acknowledge by using him, incongruously, on the soundtrack to Lebowski). They have vast reservoirs of natural-born talent, they have soaked up knowledge and understanding of their media from a very early age, their works are dense, clever and overstuffed with references to their inspirations, and, in each case, their visions are probably too specific, inward and pessimistic to ever achieve true mass popularity. Rolling Stone, in the second addition of their Album Guide, referred to Costello as something like a “marginal but fascinating talent,” a choice of words that seemed dismissive and arrogant to me at the time, but which have since proven themselves prophetic.
I would employ Costello as an actor in a flat second, but sadly his filmography is abysmal. His film roles are few, small, and not far-enough between. 200 Cigarettes is one of the few movies I’ve ever walked out of.
And “when did Tom Hanks start going bald?”
Sorry… “receding hairline….”