Favorite screenplays: Bambi
I shouldn’t even be talking about Bambi here.
Check this out: Bambi is 70 minutes long, has only one clearly-defined act break, and has a protagonist who is not only passive, but who wants nothing definable or concrete. It has no visible antagonist and absolutely, positively, not the slightest rumor of a plot. It breaks every rule regarding what a compelling cinematic narrative is supposed to be.