My own perspective on Where the Wild Things Are
I was up for the gig writing the screenplay for Where the Wild Things Are a million years ago, when the project was at Universal. I had mixed feelings about taking on the project, because the book is so slim, and so primal, so, well, "wild," that I knew no studio would spend $100 million doing it properly. Where the Wild Things Are should be weird, intense, edgy and deeply personal, the exact opposite of what i knew a studio wanted out of a four-quadrant hit.