Oscar Special
My thoughts on the Oscar ™ show:
This was the first Oscars that my son Sam watched. He’s 4.5 years old, but he made it through the whole show. Of course, we’re in Santa Monica so the show ended only at 8:30.
I had to explain the whole idea of the Oscars to Sam, but he caught on pretty fast. I don’t think he understands how many people it takes to make a movie, and he was unfamiliar with most of the nominees this year, but George Clooney got his attention early in the evening when Clooney mentioned Batman twice in his acceptance speech.
SAM: You mean, he made a Batman movie?
DAD: Yeah, a few yeas ago, he made a Batman movie.
SAM: What’s it called?
DAD: It’s called Batman and Robin. We’ll rent it sometime.
Sam, of course, was familiar with March of the Penguins, which I think was the only nominated film he saw this year.
He was glad that Crash won best picture, because Crash had the song with the burning car in it, and he liked that part of the show.
However, it seemed unfair to him that Crash won two prizes and King Kong (which he hasn’t seen) didn’t win any.
In the middle part of the show he went off to his own room to watch The Spongebob Squarepants Movie, then he came back for the end. But he remembered who everyone was and what movies were competing.
As for me, all I can say is that, for the first time in memory, I liked the set.
I noticed that Loreal was a “proud sponsor” of the Academy Awards. It made me wonder how many reluctant sponsors there were, or perhaps sponsors who were downright ashamed.
I’m sure there are many political things to be read into the competition, but it’s late.
Matchstick Men
Tonight’s film: Matchstick Men, Ridley Scott’s 2003 comedy/drama/caper movie.
He’s a genre-buster, that Ridley Scott.
In the past month I’ve watched every movie he’s made except for 1492, which for some reason is not available on DVD in the US.
Usually in a Ridley Scott movie, the stakes are pretty damn high for the protagonist. Usually lots of people will die if the protagonist screws up. This time, the stakes are smaller but more personal.
You know it’s funny, Ridley Scott’s movies often have a “happy ending,” but he seems to define “happy” differently than most Hollywood directors.
***SPOILER ALERT***
For instance, the happy ending of Thelma and Louise is that they drive into the Grand Canyon.
The happy ending of Gladiator is that Russell Crowe dies, and so finally gets to join his family in the next life. Lucky thing, there being a next life.
The happy ending of Kingdom of Heaven is that after a fierce battle, the protagonist surrenders Jerusalem to the Muslims and prevents further bloodshed.
The happy ending of Hannibal is that the cannibalistic maniac gets away and the wheelchair-bound sicko gets eaten alive by ravenous boars.
The happy ending of Blade Runner is that Harrison Ford and Sean Young make it out of the apartment alive.
Anyway, you get the point.
***END SPOILERS***
Ridley Scott, it should be obvious to most, loves to explore a world, usually a world that isn’t often presented to us. And the thing that he seems to love the most is The Rules. The protagonist of the Ridley Scott movie is often thrust into a strange world with peculiar Rules that he or she must learn to follow, or else, more often than not, people die. When the protagonist learns to bend the rules to his or her advantage, he or she triumphs, even when the triumph involves their own death.
Well, enough of that.
Alison Lohman is terrific in Matchstick Men.
Also tonight, the first 30 minutes of Raiders of the Lost Ark.
I miss Karen Allen.