The Venture Bros: “Venture Libre” part 1

A few years back, I was talking to a woman from Pixar, who explained to me the logic of Finding Nemo. Finding Nemo, she said, is about, and only about, a father’s relationship with his son. The problem presented by the narrative is that, at the end of Act I, the son is abducted. How could they make a movie about a father’s relationship with his son if the son vanishes at the end of Act I? The answer, they found, was to replace the son with another child, the forgetful fish Dory. The father then plays out the conflict with his son with this surrogate. It’s a simple yet brilliant device, and if you remove the forgetful fish and put in a reanimated corpse, it’s the same device that fuels “Venture Libre.”

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The Venture Bros “What Color is Your Cleansuit?” part 4

Sgt Hatred, in his second-act low-point, finds himself bound to a St. Andrew’s Cross and whipped, something his BDSM-loving ex would have understood. Martin has now transformed into his final mutation and assumes the position of, ironically, liberator, forcing Sgt Hatred to come to terms with who he really is (in a scene, for us old people, lifted and inverted from the 1977 miniseries Roots — The Venture Bros is nothing if not free-ranging in its references). Spoiler alert, Sgt Hatred’s given name is “Courtney.” While only developing breasts now, it seems Sgt Hatred has had a feminine side all along, and now the villain-turned-good-guy must wait to be rescued like a common damsel.

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The Venture Bros: “What Color is Your Cleansuit” part 3

Rusty may actually be a worse employer than he is a father, which is really saying something. After all, he may have left Hank and Dean to die countless horrible deaths over the years, but he never actually intentionally caused those deaths and he always dutifully put things back the way they were. His monomania regarding the Palaemon Project means that he overlooks interns trapped between dimensions, bizarre mutations and cannibalism. Most importantly, it interferes with Dean’s b-story, ie his romance with Thalia, a beautifully specific character, with her unflappable, widescreen collegiate manners. Dean very much wants Thalia, even after seeing her deformity (which, admittedly, is pretty tame compared to some of the things Dean’s been exposed to) but Rusty brushes that uncomfortable fact aside as well.

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Venture Bros “What Color is Your Cleansuit” part 2

Dean, in his flight from his identity, moves into “the attic.” The episode breezes by it, but it’s the same room where the deformed Dean clone made his home in an earlier episode. What Dean has to “clean up” to live there, to dispose of his identity, is the remnants of a Dean who died in order to have the identity Dean wants to escape. Seeing as how Dean is already a clone several times over, the issue of identity is already a complex one. In the previous scene, he complains about having spent “years” learning useless facts in his Teaching Bed, but in fact this Dean hasn’t even been around that long. Which brings up the question explored in Moon and Oblivion: is identity genetic, or are we born as clean slates? If Hank and Dean are always Hank and Dean, no matter which Hank and Dean they are, then is the Venture family always the Venture family, or could there be variations? More important, can the family grow, and change? That is, can it break the cycle? Since “What Color is Your Cleansuit” explores the creation and evolution of another kind of family, the question is pertinent.



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